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Ceramics

  • Stylized animals are included in the  Pecore  collection, a set of decorative ceramics moulded and decorated by hand. These artistic models are characterized by balanced combinations of lines and detailed descriptive sections.

  • The shape and geometric two-color decoration reinterpret the decorations and charm of Romanesque architectural found in Sardinia.

  • The filigree button typical of the local costume for women is reinterpreted in this fine large decorative object, enriched by traditional polychrome ribbons and fabrics. Individually molded by hand in terracotta and glazed ceramic, they are ever-changing unique pieces.

  • The elegant black and white ceramic starters dishes with a long plate and square or round bowls have minimal and slightly irregular shapes and are decorated with fine graphic lines and evocative illustrations of cities and flowers, in remarkable harmonious compositions.

  • These cobalt blue ceramic bowls, featuring an embedded sculpture, different in form and size, reminds of the yard of a small boat. Proposed as a piece of fine decorative art, they meet the buyer's demand for an innovative contemporary objet d'art.

Il settore

Local pottery production started during the Neolithic age, featuring peculiar characteristics that evolved during the Nuragic age. Neolithic pottery productions explored the female body, rounded also in pottery production, being a representation of the Mother goddess. Nuragic pottery featured simple and stylized designs, a tribute to the strength of war.

 

In the following ages, the regular exchange of imported pottery, linked to the interaction of different cultures with Sardinia, made it difficult to define what local production really was, since production became a self-sufficient expression of modern age, only when stylistic features and technical procedures were define and kept unchanged until recent times.

 

For instance, terracotta was slipped and glazed. Few and functional models were lathe-crafted: pitchers, marigas, containers, sciveddas, pans, pingiadas, flasks, frascus, bowls, discus, and other types of pots and pouring receptacles.

 

The setting is rural and pastoral. They are objects of daily use, for the transportation and and storage of water, baking, the preparation of desserts and food products. Yet, embellishments and expressive characterizations are also used. The festive versions are used during solemn occasions, anniversaries, rituals, and are part of the set of votive tools. They are made by the most skilled figuli, using graphite and decorated with plastic additions, plant motifs and the figures of saints and other religious and good-luck symbols.

 

 

These productions that belong to the local material culture, together with the productions of other sectors such as hand-made weaving, jewelry, carving and basket weaving, share a secret language, and intimate and evocative jargon.