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Wood

  • The simple and classic lines of the solid table chair are inspired by an ancient model of Mogoro tradition, reinterpreted thoroughly to achieve greater comfort of use.

  • The storage unit equipped with a flap door, is richly decorated with incisions of antique motifs, carefully selected by the craftsman from a repertoire of traditional Sardinian wedding chests: half rosettes, stylised ears, antique lapwings.

  • This exquisite wedding chest faithfully reproduces the typical Barbagia pattern in shape and rich decoration, according to a freely composed alphabet of traditional symbols, ancient expressive language carved with great craftsmanship.

  • The original circular shape of the bed headboard is made of chestnut wood and is decorated with an elegant central motif depicting a Sun with a stylised face and carved frames, being the obvious compositional craftsmanship and artistic skill.

  • Decorated with carved motifs, the elegant handcrafted chair with hay seat, obtained by the fine manual intertwining of local marsh grass. The lines reinterpret the chair characterized by traditional craftsmanship, used to be put at home entrances, next to the traditional wedding chest.

Il settore

The woodcraft sector in Sardinia, with a its ancient and codified traditions, is expressed in contemporary productions with new and diversified interpretations. Featuring recognizable linguistic traits in its decorations or with new technical and stylistic solutions, the local master craftsmen continue to express the identity of the island through motifs and suggestions.
The traditional carving decoration is created in a masterly manner by means of a burin on the most precious artefacts, such as sa cascia, the hope chest, or with a curt touch in several objects of daily use in agricultural and pastoral contexts. In both cases the marks engraved serve as a language, a written story to be read again and again, the expression of a people with a strong identity. 
Distinctive carnival masks made as part of local tradition. Being included in the carving section, they are crafted in the towns of Ottana and Mamoiada, and more recently in Oristano, worn during the traditional local carnivals, in dynamic and engaging performances.
 
The new interpretations range between free and recent experiences of local history, which resort to woodcraft to create decorative objects, intended as small sculptures. Artist and designer Eugenio Tavolara was the first who, during the first half of last century, designed a series of small dressed sculptures, the puppets, which portrayed characters and scenes of the traditional life in Sardinia.