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Wood

  • This particular and practical container-table, with the two top half table tops that can be opened, draws on the traditional Sardinian sideboards, used whilst baking bread or cakes, and is decorated in this version with the distinctive shape of the two stylised lapwings, enriched with soberly bru

  • The Xelu glasses, with their refined lines and of evident aesthetic value, are handcrafted in black buffalo horn with irregular honey-coloured streaks.

  • The cloud on a friendly scenario, featuring a wild boar and a poppy, is the perfect place to write the name of your child.

  • Characterised by the sophisticated use of contrasting colours, these quality chopping boards are skilfully crafted with artistic creativity using cutting waste. Unique pieces that differ in geometric composition, they feature the natural colours of the variety of wood used.

  • The shape of this chair in ash wood with linen upholstery and details in leather is inspired in the simplicity of its style by the practical film director's chair or field chair, solidly reinterpreted with refined formal contemporary taste.

Il settore

The woodcraft sector in Sardinia, with a its ancient and codified traditions, is expressed in contemporary productions with new and diversified interpretations. Featuring recognizable linguistic traits in its decorations or with new technical and stylistic solutions, the local master craftsmen continue to express the identity of the island through motifs and suggestions.
The traditional carving decoration is created in a masterly manner by means of a burin on the most precious artefacts, such as sa cascia, the hope chest, or with a curt touch in several objects of daily use in agricultural and pastoral contexts. In both cases the marks engraved serve as a language, a written story to be read again and again, the expression of a people with a strong identity. 
Distinctive carnival masks made as part of local tradition. Being included in the carving section, they are crafted in the towns of Ottana and Mamoiada, and more recently in Oristano, worn during the traditional local carnivals, in dynamic and engaging performances.
 
The new interpretations range between free and recent experiences of local history, which resort to woodcraft to create decorative objects, intended as small sculptures. Artist and designer Eugenio Tavolara was the first who, during the first half of last century, designed a series of small dressed sculptures, the puppets, which portrayed characters and scenes of the traditional life in Sardinia.