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  • Unusual and balanced decorations enrich these lathe-crafted, hand-decorated ceramic plates. The alternations of decorative geometrical elements and one-colour surfaces are designed to enhance the forms from different perspectives.

  • The elegance of the decoration and refined colors characterize the ceramic coffee set consisting of sugar pot, cups and round tray.

  • A sculptural object of clear artistic value, it is part of a remarkable series that the artist produced inspired by the ex voto finds of the Punic tombs.

  • This fine glazed ceramic bowl features an elegant abstract motif with a bright red decoration on the inside.

  • The profile of a mining landscape, story of a recent past that still characterises the environment where this ceramist lives because of the buildings of industrial archaeology, is realised using the refined naked raku technique in a fine design in this decorative panel made up of three m

Il settore

Local pottery production started during the Neolithic age, featuring peculiar characteristics that evolved during the Nuragic age. Neolithic pottery productions explored the female body, rounded also in pottery production, being a representation of the Mother goddess. Nuragic pottery featured simple and stylized designs, a tribute to the strength of war.


In the following ages, the regular exchange of imported pottery, linked to the interaction of different cultures with Sardinia, made it difficult to define what local production really was, since production became a self-sufficient expression of modern age, only when stylistic features and technical procedures were define and kept unchanged until recent times.


For instance, terracotta was slipped and glazed. Few and functional models were lathe-crafted: pitchers, marigas, containers, sciveddas, pans, pingiadas, flasks, frascus, bowls, discus, and other types of pots and pouring receptacles.


The setting is rural and pastoral. They are objects of daily use, for the transportation and and storage of water, baking, the preparation of desserts and food products. Yet, embellishments and expressive characterizations are also used. The festive versions are used during solemn occasions, anniversaries, rituals, and are part of the set of votive tools. They are made by the most skilled figuli, using graphite and decorated with plastic additions, plant motifs and the figures of saints and other religious and good-luck symbols.



These productions that belong to the local material culture, together with the productions of other sectors such as hand-made weaving, jewelry, carving and basket weaving, share a secret language, and intimate and evocative jargon.