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  • Small ceramic pendants with fine decorations inspired by motifs typical of local jewellery tradition. Shaped and decorated by hand, the pendants are an evocative reinterpretation of filigree buttons typical of traditional costumes.

  • The fine and dreamlike decoration is the core feature of the collection, interpreted through the stylized form of a cow, with a shiny moon overlooking it, surrounded by plants and flowers.

  • The octopus and its long tentacles are depicted in a dynamic pose with playful and distinctive stylisations in this polychrome glazed ceramic sculpture with fine plastic and sgraffito decorations.

  • Clearly inspired by the archaic nuragic civilisation, the precious artistic vase is crafted with balanced compositional taste, made with plastic molded materials and decorated by relief and impression.

  • This fine version of the traditional brocca pintada (painted jug) is dedicated to Eleonora d’Arborea, an important female figure in local history, represented with virtuosity in the lavish decoration with plastic additions.

Il settore

Local pottery production started during the Neolithic age, featuring peculiar characteristics that evolved during the Nuragic age. Neolithic pottery productions explored the female body, rounded also in pottery production, being a representation of the Mother goddess. Nuragic pottery featured simple and stylized designs, a tribute to the strength of war.


In the following ages, the regular exchange of imported pottery, linked to the interaction of different cultures with Sardinia, made it difficult to define what local production really was, since production became a self-sufficient expression of modern age, only when stylistic features and technical procedures were define and kept unchanged until recent times.


For instance, terracotta was slipped and glazed. Few and functional models were lathe-crafted: pitchers, marigas, containers, sciveddas, pans, pingiadas, flasks, frascus, bowls, discus, and other types of pots and pouring receptacles.


The setting is rural and pastoral. They are objects of daily use, for the transportation and and storage of water, baking, the preparation of desserts and food products. Yet, embellishments and expressive characterizations are also used. The festive versions are used during solemn occasions, anniversaries, rituals, and are part of the set of votive tools. They are made by the most skilled figuli, using graphite and decorated with plastic additions, plant motifs and the figures of saints and other religious and good-luck symbols.



These productions that belong to the local material culture, together with the productions of other sectors such as hand-made weaving, jewelry, carving and basket weaving, share a secret language, and intimate and evocative jargon.