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  • The elements of the marine world are featured on this particular bowl, decorated with fascinating and delicate blue and light blue shades. Sea stars and relief coral branches decorate a single and original piece.

  • The personal and recognisable graphic trait in the harmonious oblong lines of these white ceramic plates reveals fine drawings of marine animals, realised conveying evocative aesthetics.

  • These fluctuating fish have a vibrant and lively form, well represented in the small raku ceramic sculptures combining glazed surfaces with matte black. Individually handcrafted, they are available in different shapes and colours.

  • The stylised female figure wears the captivating traditional costume of Orgosolo, a landlocked village in central Sardinia, which is evoked by means of skillfully applied coloured brush strokes on a white background.

  • This large raku ceramic plate with irregularly enamelled surfaces is characterised by the circular shape crafted with an exquisite touch and original decoration. Entirely handcrafted with fine technique, this artefact is representative of the ceramist’s distinctive artistic trait.

Il settore

Local pottery production started during the Neolithic age, featuring peculiar characteristics that evolved during the Nuragic age. Neolithic pottery productions explored the female body, rounded also in pottery production, being a representation of the Mother goddess. Nuragic pottery featured simple and stylized designs, a tribute to the strength of war.


In the following ages, the regular exchange of imported pottery, linked to the interaction of different cultures with Sardinia, made it difficult to define what local production really was, since production became a self-sufficient expression of modern age, only when stylistic features and technical procedures were define and kept unchanged until recent times.


For instance, terracotta was slipped and glazed. Few and functional models were lathe-crafted: pitchers, marigas, containers, sciveddas, pans, pingiadas, flasks, frascus, bowls, discus, and other types of pots and pouring receptacles.


The setting is rural and pastoral. They are objects of daily use, for the transportation and and storage of water, baking, the preparation of desserts and food products. Yet, embellishments and expressive characterizations are also used. The festive versions are used during solemn occasions, anniversaries, rituals, and are part of the set of votive tools. They are made by the most skilled figuli, using graphite and decorated with plastic additions, plant motifs and the figures of saints and other religious and good-luck symbols.



These productions that belong to the local material culture, together with the productions of other sectors such as hand-made weaving, jewelry, carving and basket weaving, share a secret language, and intimate and evocative jargon.